
Drawn
to the Word: The Bible and Graphic Design, by Amanda Dillon, has been published by SBL Press (2021), which describes it this way:
A unique study of lectionaries and graphic design as a site of biblical reception
How artists portrayed the Bible in large canvas paintings is 
frequently the subject of scholarly exploration, yet the presentation of
 biblical texts in contemporary graphic designs has been largely 
ignored. In this book Amanda Dillon engages multimodal analysis, a 
method of semiotic discourse, to explore how visual composition, 
texture, color, directionality, framing, angle, representations, and 
interactions produce potential meanings for biblical graphic designs.  
Dillon focuses on the artworks of two American graphic designers—the 
woodcuts designed by Meinrad Craighead for the Roman Catholic Sunday Missal and Nicholas Markell’s
 illustrations for the worship books of the Evangelical Lutheran Church 
in America—to present the merits of multimodal analysis for biblical 
reception history.