Iconic books are texts revered as objects of power rather than just as words of instruction, information, or insight. In religious and secular rituals around the globe, people carry, show, wave, touch and kiss books and other texts, as well as read them. This blog chronicles such events and activities. (For more about iconic books, see the links to the Iconic Books Project at left.)

Saturday, February 21, 2015

Bibliography additions

Recent additions to the alphabetical and topical bibliographies on iconic books include:

On iconic books and Islam:
  • George, Kenneth M. "Designs on Indonesia's Muslim Communities," The Journal of Asian Studies 57/3, (1998), 693-713, a description of the artistic, political and religious choices involved in making a uniquely Indonesian copy (mushaf) of the Qur'an. George takes up these same issues more broadely in:
  • George, Kenneth M. "Ethics, Iconoclasm and Quranic Art in Indonesia," Cultural Anthropology 24/4 (2009), 589-621.
  • George, Kenneth M. Picturing Islam: Art and Ethics in a Muslim Lifeworld. London: Wiley Blackwell, 2010. 

On ancient book destruction and iconoclasm:
  • May, Natalie N., ed. Iconoclasm and Text Destruction in the Ancient Near East and Beyond. Chicago: Oriental Institute, 2012. 
  • Levtow, Nathaniel B. "Text Production and Destruction in Ancient Israel: Ritual and Political Dimensions." In Saul M. Olyan, ed. Social Theory and the Study of Israelite Religion. Atlanta: SBL, 2011. 111-39.

Saturday, December 13, 2014

CFP for SCRIPT panels at the 2015 AAR/SBL in Atlanta

SCRIPT will once again be presenting concurrent panels with the AAR/SBL Annual Meetings in Atlanta on November 21-24, 2015.

This year's theme is “Sensing Books, Sensing Scriptures” 

We invite papers on all aspects of iconic and performative texts, and especially papers that explore the sensory aspects of engaging with books and scriptures.

SBL members should submit paper proposals through the SBL conference site. Those not members of SBL should submit paper proposals to scriptsecretary@gmail.com. 

Deadline: March 4, 2015.

CFP for SCRIPT panels at the EIR in Montreal in May

SCRIPT will once again be presenting panels of papers on iconic and performative texts at the Eastern International Regional meeting of the AAR in Montreal, May 1-2.

We invite proposals for papers that address the iconic and performative dimensions of specific texts or a range of texts. We particularly encourage studies that also engage the EIR's theme "Desire & Devotion", but all SCRIPT related subjects are welcome.

Each proposal should contain the following in a single e-mail attachment in MS Word format:
  • One-page abstract (300 words maximum) describing the nature of the paper or panel
  • Current CV(s) for the participant(s)
  • Cover page that includes the submitter’s full name, title, institution, phone number, fax number, e-mail, and mailing address. For panel proposals, identify the primary contact person
Send proposals to scriptsecretary@gmail.com. 
Deadline: February 1, 2015.

Saturday, October 4, 2014

SCRIPT at SHARP in Antwerp

SCRIPT sponsored nine papers in three panels at the of SHARP annual meeting in Antwerp, Belgium on September 18-20, 2014.

On the first panel, "Canonizing and Scripturalizing Iconic Books," I introduced the Iconic Books Project. My paper, “Iconic Scriptures from Decalogue to Bible,” described the iconic motivations that generated the Ten Commandments and the scroll of Torah in ancient Israel. Michael Como (Columbia University) explored the religious, social and environmental effects of bringing Buddhist scribal bureaucracy to Japan in “Canon, Ethnicity and Kingship in Ancient Japan." Kristina Myrvold (Linnaeus University) described how Sikhs narrate the early history of the Guru Granth Sahib in “Entextualization of Sikh Texts in Religious Historiographies and Performances.”

On the second panel, "Literary and Iconic Canons," Jonas Svenson (Linnaeus University) borrowed the concept of contagion avoidance from cognitive psychology to describe Muslim concern to protect the purity of the Qur'an, in “The double Scripture: explaining diversity and conflict in Muslim perceptions and practices in relation to the Qur’an.” Rachel Fell McDermott (Barnard College, Columbia University) then described the life and controversial influence of the Bangladeshi national poet Kazi Nazrul Islam in “When a National Poet is a Heretic: The Collision of Literary and Religious Canons.” Karl Ivan Solibakke (Syracuse University) concluded the panel with by mediating two 20th-century uses of texts and images in “Mimesis and Poesis: Walter Benjamin’s and Vilem Flusser’s Translational Approach to Script.”

In the third panel, "Scriptures as Icons and Talismans," Dorina Miller Parmenter (Spalding University)  advanced theories of iconic books by employing Affect Theory in “Saved by the Book: Exploring the Christian Bible as Effective and Affective Object.” David Ganz (University of Z├╝rich) described medieval Christians' concern to "cover the nakedness" of a book of scripture with decorative bindings in “Clothing Sacred Scripture: Books as Holy Objects in the Western Middle Ages.” Finally, Bradford Anderson (Mater Dei Institute, Dublin) explored the rhetorical and ritual use of Bibles to establish religious and national identity in "'This booke hath bred all the quarrel': The Bible in Seventeenth Century Ireland."

Discussion of each of the papers was lively and continued over several dinners in restaurants on various squares of Antwerp. The SHARP meeting, on the theme "Religions of the Book," provided a venue for many other papers on the impact of book production and book reading on religion, and vice versa. The full program can still be accessed here. 

Tuesday, September 2, 2014

Growing Diversity of Books for Congressional Oaths

It has become common practice in the U.S. Congress to provide a variety of texts for ritual oaths of office. The Washington Times reported in January, 2013:
As religions have expanded, so have the options for swearing-in ceremonies.
Both House and Senate lawmakers are officially sworn in on their chamber floors, and then have ceremonial swearings-in for keepsake photos afterward. Members are not required to hold any text at all, merely to raise their right hand and swear — but many do hold something, particularly during the ceremonial oath.
The Library of Congress even provides books to House members who don’t bring their own, and lawmakers can pick them off a table when they enter the ornate room for a one-on-one ceremonial oath with Mr. Boehner.
On Thursday they had nine options: Catholic, Protestant and Eastern Orthodox Bibles, the Torah, the Koran, the Book of Mormon, Hindu Vedas, an ornate box holding Buddhist Sutras, and copies of the U.S. Constitution.

Monday, June 30, 2014

Slovenian book art 2

A sculpture in the harbor of Piran, Slovenia, reproduces the town in the form of heaps of books (courtesy of Lyn Watts).

Slovenian book art 1

A mural on an apartment house wall in Ljubljana, Slovenia (courtesy of Lyn Watts). Translation anyone?

Sunday, June 22, 2014

Blog on book-like objects

A new blog about book-like objects, About Blooks: Discovering the Book as Object, has been started by Mindell Dubansky, who ishead of the Center for Book Conservation at The Metropolitan Museum of Art. Her early posts include pictures and descriptions of book clutches and hand-bags, a book harmonium, and this 1849 ceramic flask.

Xu Bing's Book from the Sky

Zak Braiterman has posted great pictures of Xu Bing's installation, Book from the Sky (1988), that is part of the Metropolitan Museum's current Ink Art exhibit.

This "book from the sky" consists of scrolls written in unintelligible characters that literally say nothing. Braiterman summarizes the effect: "Rendered object-like, the word has been made neither clear nor intelligible. Not really a book or a communication, “Book from the Sky” is just an idea, suggesting something infinite, the idea of a book, the idea of communication, pure writing, non-intentional."

(See this blog's previous references to discussion of Bing's installation.)

500 years of beautiful print

Arkyves, a collection of sources for the study of the History of Culture, showcases the beauty of print fonts with a zoomable collage of printed pages produced between 1469 to 1935.

(click to view)