At some point in the development of sacred texts, readers became aware of them as material entities. How did this awareness affect their adornment, both inside with ornate calligraphy and illuminations, and outside with ornamented covers? How did this development influence ritual practices? What happens to our understanding or even interpretation of text when it depends as much, if not more on the materiality of the text than on the words themselves? How does thinking about the materiality of ancient texts (and attendant technologies) provide insight into the development of ritual practices and other embodied ideas of the sacred?
The panel will be co-sponsored by three program groups: Religious World of Late Antiquity, Art and Religions of Antiquity, and Social History of Formative Christianity and Judaism.